Halftone
Dots
Because
a printing press cannot print many different shades of ink, halftone dots are
used to achieve the depth of printing detail needed. Halftone dots simulate the
different shades by changing the size of the dots.
Dots Per
Inch (DPI)
DPI describes the resolution of an imaging device like a printer.
Depending on the device the DPI commonly can range from 600 DPI to 2400 DPI.
Lines Per
Inch (LPI)
The measure of a halftone dot is called screen ruling, or screen
frequency, and this measurement is usually expressed by LPI. The LPI is the
frequency at which the halftone dots occur.
Pixels Per
Inch (PPI)
The
PPI directly relates to the resolution of the image. A good quality image is typically
printed at a resolution of 300 PPI.
CMYK vs. RGB
CMYK
is the four-ink color process using the colors Cyan, Magenta, Yellow, and
Black. Using halftone dots these four colors can be combined while printing to
make up a very wide range of colors.
Spot Colors
Spot
colors are colors that are individually mixed to obtain colors that fall
outside of the CMYK color range or are specially mixed to insure that a
specific color is achieved every single time the color is printed. A popular
creator of Spot Colors is Pantone, a company that creates swatch books for
designers to view color and select their choice from. While only using one to
two spot colors for a job may be a money saving technique, adding a spot color
to a CMYK job will add an additional color to the cost and may even cause a
second run to be made on the job.
Registration
Most
readers may easily overlook registration marks on a printed document, but these
marks play a vital role in printing. A printer needs these marks to be sure
that the ink is printing in the right locations after subsequent productions.
Rich Black
A printed area of black that is larger than one square inch needs to use rich black to resist the appearance of being weak. A combination of the three other process colors, cyan, magenta, and yellow are used to prevent this fading from happening.
Color Management
Managing color can be difficult and expensive, but it is a necessary task to produce quality designs and prints. Devices must be inspected with equipment to ensure that the color display is functioning properly. While not everyone has access to expensive calibrating equipment, there are things that can be done to achieve quality color at home. Avoiding monitor glare is a simple, yet beneficial tip I use to avoid color mistakes.
All information and images were obtained from Print Production with Adobe Creative Suite Applications.
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